World Premiere Co-Production with SteppingStone Theatre
When a bully tells 8 year-old Payton she’s nothing more than a dandelion (a weed, ordinary, and yellow on top of that), she turns to her dad for help. Dad share his own experience growing up in the United States as a first generation refugee. Back in the day–the eighties–Dad taught himself martial arts by watching and practicing Kung Fu. But Payton doesn’t care for Kung Fu and must learn how to face bullies without fists.
MARCH 21 – APRIL 7, 2019
Thursday, March 21 – 10:00AM (preview)
Friday, March 22 – 10:00AM (preview)
Friday, March 22 – 7:00PM (opening)
Saturday, March 23 – 3:00PM
Sunday, March 24 – 3:00PM
Wednesday, March 27 – 10:00AM
Thursday, March 28 – 10:00 AM
Thursday, March 28 – 12:00PM
Friday, March 29 – 7:00PM (audio described)
Saturday, March 30 – 3:00PM
Sunday, March 31 – 3:00PM (ASL interpreted)
Thursday, April 4 – 10:00AM
Thursday, April 4 – 12:00PM
Friday, April 5: 10:00PM
Friday, April 5 – 7:00PM
Saturday, April 6 – 3:00PM
Sunday, April 7 – 3:00PM (closing)
ABOUT THE PLAYWRIGHT
May Lee-Yang is a playwright, poet, prose writer, and performance artist. Born in Ban Vinai, a refugee camp in Thailand following the Secret War in Laos, May moved with her family to Saint Paul, MN where she lives to this day. Her work often explores the lives of Hmong women and living in a bicultural world, and she has been hailed by Twin Cities Metro Magazine as “on her way to becoming one of the most powerful and colorful voices in local theater.” Her theater-based works have been presented at Mu Performing Arts, the Center for Hmong Arts and Talent (CHAT), Out North Theater, the 2011 National Asian American Theater Festival, the MN Fringe Festival and others. Her works includeConfessions of a Lazy Hmong Woman and Ten Reasons Why I’d Be a Bad Porn Star. She has received grants from the Bush Leadership Fellowship, the Minnesota State Arts Board, the National Performance Network, the Midwestern Voices and Visions Residency Award, the Playwrights’ Center, and the Loft Literary Center.
PAY AS YOU ARE
Mu strives to voice the stories of the Asian American community, and in order to bring performances to those communities whose stories they tell, Mu is committed to make them as accessible as possible. Pay As You Are pricing asks those who routinely pay $35 for theater tickets to choose to pay that amount; it is the actual fair market value of the ticket. If an audience member needs to pay less, they can choose to pay less – as little as $5 per ticket.