by Carla Ching
September 9 - September 18
A play about trying not to fall in love with your best friend, or else you might end up hating them.
Kilburn Theatre at Rarig Center on the U of M Campus 330 21st Ave S, Minneapolis, MN 55455
Diana and Max meet at 9 years old, the day their parents start having an affair. In the ensuing decades, they see each other through highs and lows, trying not to make the same mistakes their parents did. A play about trying not to fall in love with your best friend so you end up hating them.The Two Kids that Blow Shit Up was featured in the 2016 New Eyes Festival at The Playwrights Center, and we are pleased to have Carla's show opening our 25th Anniversary Season.
ABOUT THE PLAYWRIGHT
An LA native, Carla Ching stumbled upon pan-Asian performance collective Peeling at the Asian American Writers Workshop and wrote and performed with them for three years, which she still considers her first theater training. Her plays include Nomad Motel (2015 O’Neill Playwrights Conference; workshop with Roundabout Theater Company), Fast Company (South Coast Rep, Ensemble Studio Theatre, Lyric Stage, Pork Filled Productions; winner of the Edgerton New American Play Award and The Seattle Times’ Footlights Award for Top Play on a Smaller Stage ), TBA (2g), The Sugar House at the Edge of the Wilderness (Ma-Yi Theater Company), and The Two Kids That Blow Shit Up (also currently running at Artists at Play in Los Angeles). She’s an alumna of The Women’s Project Lab, the Lark Play Development Center Writers Workshop, the CTG Writers’ Workshop and the Ma-Yi Writers Lab. Former Artistic Director of Asian American Theater Company, 2g.TBA is published in Out of Time and Place.Fast Company is published by Samuel French. BA, Vassar College. MFA, New School for Drama. Proud member of New Dramatists and The Kilroys. On television, Carla has written on USA’s Graceland, AMC’s Fear the Walking Dead and is currently writing on Amazon’s I Love Dick,executive produced by Sarah Gubbins and Jill Soloway. www.carlaching.com Twitter: @carlaching
The Two Kids That Blow Shit Up was developed by and received its co-world premiere by Artists at Play in Los Angeles, CA; Julia Cho, Stefanie Wong Lau, and Marie-Reine Velez, Producing Artistic Leaders and Mu Performing Arts in Minneapolis, MN; Randy Reyes, Artistic Director. The University of Minnesota is not endorsing or sponsoring the activities conducted by Mu Performing Arts on the University of Minnesota campus. The relationship between the University of Minnesota and Mu is solely that of licensor and licensee.
by Mu Daiko
October 30 - October 30
December 12 - December 12
Jasmine's had quite a year. After her debut at the Oregon Shakespeare Festival in October, she's feeling a bit beat, but she still wants to see all of your lovely faces for the holidays! So we're changing things up for A Very Asian Xmas this year with a lovely holiday party - and you're invited!
If you've been to AVAX before, this one's going to be a little bit different, so you don't want to miss it! The party will include:
Scrumptious appetizers, drinks, and hot chocolate! Jasmine's secret recipe bubbly punch Karaoke performances by Jasmine and her friends Sugar cookie decorating Mix & Mingle with all of your Mu favorites
We're looking forward to a festive evening full of laughter, singing, and merry-making with you! Dress in your favorite holiday attire!
by David Henry Hwang, Music by Rodgers & Hammerstein
January 20 - February 19
To create something new, we must first love what is old.
Co-produced with and at Park Square TheatreFather produces Peking Opera. Son knows nightclub acts sell better. Set in San Francisco’s Chinatown in the late 1950s, this funny and moving story explores what it means to become American. The new, fully‐revised version includes David Henry Hwang’s Tony Award‐nominated text, and favorite Rodgers and Hammerstein songs. After Mu’s successful 2009 production, the company is excited to bring this Broadway hit back to the Twin Cities for a month‐long run.
ABOUT THE PLAYWRIGHTDavid Henry Hwang was awarded the 1988 Tony, Drama Desk, Outer Critics and John Gassner Awards for his Broadway debut, M. BUTTERFLY, which also was a finalist for the Pulitzer Prize. For his play GOLDEN CHILD, he received a 1998 Tony Nomination and a 1997 Obie Award. His new book for the Rodgers and Hammerstein musical FLOWER DRUM SONG earned him his third Tony nomination in 2003. He was also a book writer on Elton John & Tim Rice’s AIDA. Hwang’s other plays include FOB (1981 Obie Award), THE DANCE AND THE RAILROAD, FAMILY DEVOTIONS, THE SOUND OF A VOICE and BONDAGE. His opera libretti include three works for composer Philip Glass, 1000 AIRPLANES ON THE ROOF, THE VOYAGE and THE SOUND OF A VOICE, as well as THE SILVER RIVER with music by Bright Sheng and Ainadamar with Osvaldo Golijov. Hwang penned the feature films M. BUTTERFLY, GOLDEN GATE and POSSESSION (co-writer) and co-wrote the song “Solo” with composer/performer Prince. He has written the book on the new Broadway musical TARZAN, and his new play, YELLOW FACE, will premiere next season. Hwang serves on the Dramatists Guild Council.
March 25 - March 25
We’ve got stories to tell you.
This series of readings of new works from Asian American playwrights is an artistic incubator for thoughts and ideas looking to be born onto the stage.
Saturday, March 25 at 10 A.M. • SteppingStone Theatre
The Princess’ NightingaleWritten by Damon Chua | Directed by Daisuke Kawachi Synopsis: A brand new adaptation of Hans Christian Andersen’s “The Nightingale.” Set in eighteenth century China, the story revolves around the rivalry between Tenth Princess and her half-brother Prince Jia, children of the Emperor. It would take nothing less than a magical bird to show them the wonders of their land, and their responsibility as royalties. TENTH PRINCESS — Michelle de Joya NIGHTINGALE — Stephanie Bertumen ACTOR #1 (PANDA #1, EMPEROR, PEASANT #4, MECHANICAL BIRD #2) — Wesley Mouri* ACTOR #2 (PANDA #2, EMPRESS, PEASANT #3, MECHANICAL BIRD #1) — Catrina Huynh ACTOR #3 (PRINCE JIA, TIGER HEAD, PEASANT #2) — Kyle Legacion ACTOR #4 (MINISTER WU, TIGER TAIL, PEASANT #1) — Pogi Sumangil* Damon Chua is a New York-based playwright, poet, fiction writer and producer. Originally from Singapore, Damon now calls Jackson Heights his home. Damon is a member of The Public Theater Emerging Writers Group 2014-15 and Ma-Yi Theater’s Writers Lab in New York. His stint at The Public Theater was supported by a Time Warner Foundation grant. He is the recipient of a 2015 Dramatists Guild Fund #writechange scholarship and a 2014 grant from the National Endowment for the Arts. Currently published by Samuel French, Smith & Kraus and the Proscenium Journal, Damon received an Ovation Award for Best New Play and has obtained support from UNESCO and the Durfee Foundation. Damon’s plays have been staged in New York, Los Angeles, Chicago, and presented in several states. They also have been seen in London, Singapore and Toronto. In 2015, he made his Off-Broadway debut through Pan Asian Repertory Theatre with this full-length noir drama Film Chinois. Steppingstone Theatre | 55 N Victoria St, Saint Paul, Mn 55104 10 A.M. – The Princess’ Nightingale Free Admission • Free snacks This children’s story is for the whole family. Parking is currently available to SteppingStone patrons in the Mitchell Hamline School of Law parking lot on weekends. Paid parking is available at the Victoria Crossing ramp (corner of Victoria and Grand Ave.) Free parking is available along Grand Ave. On-street parking is available on surrounding residential streets.
Saturday, March 25 at 4 P.M. • Mu Performing Arts studio
The Moon Embraces the Songby May Lee-Yang | directed by Katie Bradley Synopsis: When a K-drama addict with a secret meets a Korean heir who has been banished to the Midwest, fantasy collides with reality in this romantic comedy about fate, cultural clashes, and the art of losing one’s virginity. *K-drama refers to televised dramas in the Korean language, made in South Korea, mostly in a miniseries format, with distinctive features that set them apart from television series and soap operas made elsewhere. GAO HLEE SONG — Suzie Juul BENEDICT SONG/SONG JUNG SOO — Eric Sharp* SECRETARY KIM/TOU MONG VANG/GARY JOHNSON/ENSEMBLE — Wesley Mouri* MADAME SONG/GAO HLEE’S MOM/ENSEMBLE — Jeannie Lander Z/MIRAE PARK/HOTEL CLERK/ENSEMBLE — Stephanie Bertumen May Lee-Yang is a playwright, poet, prose writer, and performance artist. Born in Ban Vinai, a refugee camp in Thailand following the Secret War in Laos, May moved with her family to Saint Paul, MN where she lives to this day. Her work often explores the lives of Hmong women and living in a bicultural world, and she has been hailed by Twin Cities Metro Magazine as “on her way to becoming one of the most powerful and colorful voices in local theater.” Her theater-based works have been presented at Mu Performing Arts, the Center for Hmong Arts and Talent (CHAT), Out North Theater, the 2011 National Asian American Theater Festival, the MN Fringe Festival and others. Her works includeConfessions of a Lazy Hmong Woman and Ten Reasons Why I’d Be a Bad Porn Star. She has received grants from the Bush Leadership Fellowship, the Minnesota State Arts Board, the National Performance Network, the Midwestern Voices and Visions Residency Award, the Playwrights' Center, and the Loft Literary Center.
Saturday, March 25 at 7:30 P.M. • Mu Performing Arts studio
Two Mile Hollowby Leah Nanako Winkler | directed by Leah Anderson Synopsis: A parody coupled with moments of disorienting sincerity, Two Mile Hollow explores the dysfunctional family with brutality, awe and compassion. When the Donnellys gather for a weekend in the country to hash out belonging from their recently sold estate, an emotional storm breaks inside while a literal storm brews outside. As this family of famous, longing-to-be-famous, and kind-of-a-mess-but-totally-Caucasian characters come together with their personal assistant, Charlotte, some really really really really really complicated and totally unique secrets are revealed (over white wine). MARY — Katie Bradley* BLYTHE DONNELLY — Sheena Janson JOSHUA DONNELLY — Eric Sharp* CHRISTOPHER DONNELLY — Jake Sullivan CHARLOTTE — Hope Nordquist Leah Nanako Winkler is a Japanese American playwright from Kamakura, Japan and Lexington Kentucky. Her play KENTUCKY was among the top 10 on the 2015 Kilroys List and recently received an Off-Broadway Premiere at Ensemble Studio Theatre in coproduction with Page 73 and the Radio Drama Network. It subsequently received a West Coast Premiere at East West Players in November-December 2016. Leah is also the author of Two Mile Hollow (2016 Kilroys Honorable Mention, CAATA conference), Death For Sydney Black (terraNova Collective, 2014 Kilroys Honorable Mention) Diversity Awareness Picnic (2014 Kilroys Honorable Mention) , Double Suicide At Ueno Park (EST/Marathon) and The Adventures of Minami: The Robot From Japan Who Makes You Feel Safe When Loneliness Is Palpable (The Brick). With playwright Teddy Nicholas, she cowrote Flying Snakes in 3-D!!! which enjoyed performances in 2011-2012 at Ars Nova (ANT Fest), The Brick Theater and the New Ohio Theatre (Ice Factory ). Leah’s work has been developed at Playwrights Horizons, Clubbed Thumb, New Georges, New York Theatre Workshop, The Bushwick Starr, The Flea Theatre, Primary Stages, Artists at Play and more. Her experimental stuff has been performed all throughout the city at places like little theatre @ Dixon Place, Prelude Festival, Bowery Poetry Club and more. Her collections of short plays, NAGORIYUKI & Other Short Plays and The Lowest Form Of Writing are available on Amazon and have been performed all over the US, France and Asia. Her plays have also been published in Nanjing University’s Stage and Screen Reviews , Smith and Krauss, Sam French and Dramatists Play Service. She was an artist in residence at New Group/Urban Arts Initiative , a winner of the 2015 Samuel French OOB Short Play Festival, a 2015 and 2016 Susan Smith Blackburn Prize nominee, a two time recipient of the A/P/A commission for the Japanese American National Museum, a recipient of the Truman Capote Fellowship for Creative Writing, a member of the Dorothy Strelsin New American Playwrights Group, a 2016 Sloan Commission recipient with the Ensemble Studio Theatre, a commissioned writer with 2G, a 2016-2018 Time Warner fellow at the Women’s Project, an alumnus of Youngblood and a 2017 Sundance/Ucross Fellow. The New York Times called her a “distinctive new voice.” Mu Performing Arts studio | 755 Prior Ave N, Saint Paul, MN 55104 4 P.M. – The Moon Embraces the Song 6:15 P.M. – dinner 7:30 P.M. – Two Mile Hollow Free Admission • Free food *Members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States
April 28 - April 29
MU DAIKO 20TH ANNIVERSARY CONCERT
Friday and Saturday • April 28–29 • 7 p.m.
Concert venue: Guthrie Theater • 818 South 2nd Street, Minneapolis, MN 55415Concert dates and time: April 28 and 29, 7 p.m. each night. Concert tickets and prices: $60 VIP tickets (limited quantity) include pre-show reception and preferred seating.* $40 Adult tickets (general admission). $20 Student tickets (general admission). For tickets and information, please visit online: www.muperformingarts.org or call 651-789-1012. *VIP Tickets are all sold out.
Celebrate 20 years of Mu Daiko with an all-star list of guest artists, featuring Mu Daiko favorites, new compositions, and a commission by Michelle Fujii of UNIT SOUZOU.
Guest artists include:
ensemble-MA (Greater Twin Cities, Minnesota)Michelle Fujii and Toru Watanabe of UNIT SOUZOU (Portland, OR) Naomi Guilbert and Hiroshi Koshiyama of Fubuki Daiko (Winnipeg, MB, Canada) Shoji Kameda of On Ensemble (Los Angeles, CA) Yuichi Kimura of Daichi No Kai (Kobe, Japan) Tiffany Tamaribuchi of Sacramento Taiko Dan & Jodaiko (Sacramento, CA)
FREE FAMILY FUN ON SATURDAY!Saturday afternoon activities are free and open to the public. They include select guest artist performances and workshops designed to introduce the public to taiko basics and allow them to experience the energy, challenge, and grace of taiko drumming firsthand. Panel discussions, educational opportunities, and family activities including origami, face painting, storytelling, and a drum petting zoo will continue throughout the afternoon. These daytime performances, mini-workshops, and family activities are all free events scheduled for Saturday, April 29 from 1–5 p.m. Schedule McGuire Proscenium Stage 1PM Performance: Tiffany Tamaribuchi 1:30PM Workshop: Taiko Joy Bubble by Tiffany Tamaribuchi 2:30PM Workshop: Taiko 101 by Fubuki Daiko 3:30PM Performance: Yuichi Kimura of Daichi no Kai 4:00PM Workshop: Taiko Rhythms by Shoji Kameda Dowling Studio 1:30PM Performance: Fubuki Daiko 2:15PM Performance: Unit Souzou 3:00PM Performance: ensemble-MA 4:00PM Panel: Women in Taiko Family Activities – 8th Floor Classrooms 1:00-5:00PM Face Painting / Origami / Storytelling / “Instrument Petting Zoo” Festival venue: Guthrie Theater • 818 South 2nd Street, Minneapolis, MN 55415
EXTEND YOUR TAIKO EXPERIENCE WITH HANDS-ON STUDIO CLASSES Master Class Workshops — Sunday, April 30th Join us for a full day of Taiko! Sign up for individual workshops or join us for the whole day. Mu Performing Arts taiko students who have successfully completed the Introductory Class may attend these workshops. 9:00am-10:30am – Tiffany Tamaribuchi, Form and Spirit 10:30am-12:00pm – Shoji Kameda 12:00pm - 12:30pm - Lunch 12:30pm-2:00pm – Yuichi Kimura 2:00pm-3:30pm – Michelle Fujii & Toru Watanabe, Uchiwa Movement $40 per workshop or $100 for the entire day Four Master Class Workshops held at the Mu Taiko Studio facility at 2700 Winter Street NE, Minneapolis, MN 55443. The musician instructors include Tiffany Tamaribuchi, Michelle Fujii and Toru Watanabe, Shoji Kameda, and Yuichi Kimora. *Previous experience recommended. For registration and information, please visit online: Taiko Master Class Workshops
by Lloyd Suh
May 13 - May 28
The Guthrie Theater presents a Mu Performing Arts production of Charles Francis Chan Jr.’s Exotic Oriental Murder Mystery by Lloyd SuhMay 12 - May 28, 2017 in the Dowling Studio at Guthrie Theater *Preview performance is Friday, May 12. Opening night is Saturday, May 13. 1967: a new political identity called Asian American emerges and a young literary hippie named Frank essays an inscrutable Chinese detective. A harmless sing-song orientalist minstrel show that ends in a grotesque carnival of murder! At once both comedic and political, Lloyd Suh’s play within a play delves into the history and politics of yellowface with a keen eye, dark humor, and a sharp wit. The New York Times calls the show "a metatheatrical polemic about the way Asian-Americans have been characterized and caricatured in popular culture." Charles Francis Chan Jr.'s Exotic Oriental Murder Mystery was featured in the 2016 New Eyes Festival at The Playwrights Center, and we are pleased to add Lloyd's show to our 25th Anniversary Season.
Join us at Guthrie Theater's Dowling Studio as we stage this exciting work as part of the Level Nine Initiative!
This production is recommended for age 14 and up.Preview performance is Friday, May 12. Opening night is Saturday, May 13. TICKET PRICES Tickets in the Dowling Studio are $9. Seating in the Dowling Studio is General Admission. All prices and performances subject to change. AUDIENCE ENGAGEMENT Every Dowling Studio performance includes an audience engagement component. Check back for details. Part of the Level Nine Series, devoted to community dialogue about today’s most significant topics and questions. ACCESS DATES ASL Performances Thursday, May 25 at 7:30 p.m. Audio Described Performances Thursday, May 25 at 7:30 p.m. Open Captioned Performances Thursday, May 25 at 7:30 p.m.
ABOUT THE PLAYWRIGHTLloyd Suh is the author of American Hwangap, The Wong Kids in the Secret of the Space Chupacabra Go!, Jesus in India, Great Wall Story, The Children of Vonderly, Masha No Home and others, produced with Ma-Yi, The Play Company, Ensemble Studio Theatre, La Mama ETC, Magic Theatre (SF), ArtsEmerson (MA), Denver Center Theatre Company, Children’s Theatre Company (MN), East West Players (LA), and internationally at the Cultural Center of the Philippines in Manila, and with PCPA in Seoul, Korea. He has received support from the NEA Arena Stage New Play Development program, the Andrew W. Mellon Launching New Plays Into the Repertoire initiative via The Lark, the New York Foundation for the Arts, the New York State Council on the Arts, Jerome Foundation, Theatre Communications Group and Dramatists Guild. His plays have been published by Samuel French, Playscripts, Smith & Kraus, Duke University Press and American Theater magazine. He is a member of Ensemble Studio Theatre and The Actors Studio, an alum of Youngblood and the Soho Rep Writer Director Lab, and from 2005-2010 served as Artistic Director of Second Generation and Co-Director of the Ma-Yi Writers Lab. He has served since 2011 as Director of Artistic Programs at The Lark.
August 4 - August 20
Location: SteppingStone Theatre for Youth Development | 55 N Victoria St, St Paul, MN 55104
Created by Center for Hmong Arts and Talent (CHAT), Hmong Elders Center, Shades of Yellow (SOY), Wilder, and Women's Initiative for Self Empowerment (WISE) and facilitated by renowned puppet artist Masanari Kawahara, Immigrant Journey Project, directed by Randy Reyes, explores the 21st-century immigrant experience using puppetry, movement, and masks. In this devised work, community members will perform original stories alongside theatre professionals.