Mu Performing Arts and Artistic Director Randy Reyes invite you to join us for our 25th Anniversary Season!
Celebrate 25 years of Mu Performing Arts with this huge season. Bringing you new taiko performances and innovative works from the heart of the Asian American experience. Become a subscriber today!
$65 gets you a ticket to five spectacular performances in the 16/17 season, and discounts to tickets to the Twin Cities Theaters of Color Coalition, including Penumbra Theatre, Teatro del Pueblo, New Native Theatre, and Pangea World Theater.
by Carla Ching
September 9 - September 18
Diana and Max meet at 10 years old, the day their parents start having an affair. In the ensuing 18 years, they see each other through highs and lows, trying not to make the same mistakes their parents did. A play about trying not to fall in love with your best friend so you end up hating them.The Two Kids that Blow Shit Up was featured in the 2016 New Eyes Festival at The Playwrights Center, and we are pleased to have Carla's show opening our 25th Anniversary Season.
ABOUT THE PLAYWRIGHT
An LA native, Carla Ching started doing autobiographically-based theater with NYC collective Peeling, which she still considers her first theater training. Her plays include Nomad Motel, Fast Company, TBA, The Sugar House at the Edge of the Wilderness, Big Blind/Little Blind, and The Two Kids That Blow Shit Up. Her work has been produced or workshopped by South Coast Rep, Center Theater Group, Lyric Stage, the Eugene O’Neill Playwright Center, Ensemble Studio Theatre, Ma-Yi Theatre Company, 2g, Partial Comfort, Porkfilled Players and Artists at Play among others. Alumna of the Women’s Project lab, Ma-Yi Writers Lab and the Lark Play Development Center’s Writers’ Workshop. BA, Vassar College. MFA, New School for Drama. Former Artistic Director of Asian American Theater Company, 2g. Fast Company is published by Sam French. Proud member of New Dramatists and The Kilroys. Carla wrote on Season Two of USA’s Graceland and currently writes on AMC’s Fear the Walking Dead.
by Book by David Henry Hwang, Music by Rodgers & Hammerstein
January 20 - February 19
Co-produced with Park Square TheatreFather produces Peking Opera. Son knows nightclub acts sell better. Set in San Francisco’s Chinatown in the late 1950s, this funny and moving story explores what it means to become American. The new, fully‐revised version includes David Henry Hwang’s Tony Award‐nominated text, and favorite Rodgers and Hammerstein songs. After Mu’s successful 2009 production, the company is excited to bring this Broadway hit back to the Twin Cities for a month‐long run.
ABOUT THE PLAYWRIGHTDavid Henry Hwang was awarded the 1988 Tony, Drama Desk, Outer Critics and John Gassner Awards for his Broadway debut, M. BUTTERFLY, which also was a finalist for the Pulitzer Prize. For his play GOLDEN CHILD, he received a 1998 Tony Nomination and a 1997 Obie Award. His new book for the Rodgers and Hammerstein musical FLOWER DRUM SONG earned him his third Tony nomination in 2003. He was also a book writer on Elton John & Tim Rice’s AIDA. Hwang’s other plays include FOB (1981 Obie Award), THE DANCE AND THE RAILROAD, FAMILY DEVOTIONS, THE SOUND OF A VOICE and BONDAGE. His opera libretti include three works for composer Philip Glass, 1000 AIRPLANES ON THE ROOF, THE VOYAGE and THE SOUND OF A VOICE, as well as THE SILVER RIVER with music by Bright Sheng and Ainadamar with Osvaldo Golijov. Hwang penned the feature films M. BUTTERFLY, GOLDEN GATE and POSSESSION (co-writer) and co-wrote the song “Solo” with composer/performer Prince. He has written the book on the new Broadway musical TARZAN, and his new play, YELLOW FACE, will premiere next season. Hwang serves on the Dramatists Guild Council.
April 28 - April 29
Celebrate 20 years of Mu Daiko with guest artists from Japan, Canada and the U.S. Daytime activities are free to the public. Headlining the festival is Mu Daiko’s 20th Anniversary Concert featuring an amazing roster of guest artists, Mu Daiko favorites, and world premiere pieces.
by Lloyd Suh
May 12 - May 28
1967: a new political identity called Asian American emerges and a young literary hippie named Frank essays an inscrutable Chinese detective. A harmless sing-song orientalist minstrel show that ENDS IN A GROTESQUE CARNIVAL OF MURDER!!!At once both comedic and political, Lloyd Suh’s play within a play delves into the history and politics of yellowface with a keen eye, dark humor, and a sharp wit. The New York Times calls the show "a metatheatrical polemic about the way Asian-Americans have been characterized and caricatured in popular culture." Charles Francis Chan Jr.'s Exotic Oriental Murder Mystery was featured in the 2016 New Eyes Festival at The Playwrights Center, and we are pleased to add Lloyd's show to our 25th Anniversary Season.
Join us at Guthrie Theater's Dowling Studio as we stage this exciting work as part of the Level Nine Initiative!
ABOUT THE PLAYWRIGHTLloyd Suh is the author of American Hwangap, The Wong Kids in the Secret of the Space Chupacabra Go!, Jesus in India, Great Wall Story, The Children of Vonderly, Masha No Home and others, produced with Ma-Yi, The Play Company, Ensemble Studio Theatre, La Mama ETC, Magic Theatre (SF), ArtsEmerson (MA), Denver Center Theatre Company, Children’s Theatre Company (MN), East West Players (LA), and internationally at the Cultural Center of the Philippines in Manila, and with PCPA in Seoul, Korea. He has received support from the NEA Arena Stage New Play Development program, the Andrew W. Mellon Launching New Plays Into the Repertoire initiative via The Lark, the New York Foundation for the Arts, the New York State Council on the Arts, Jerome Foundation, Theatre Communications Group and Dramatists Guild. His plays have been published by Samuel French, Playscripts, Smith & Kraus, Duke University Press and American Theater magazine. He is a member of Ensemble Studio Theatre and The Actors Studio, an alum of Youngblood and the Soho Rep Writer Director Lab, and from 2005-2010 served as Artistic Director of Second Generation and Co-Director of the Ma-Yi Writers Lab. He has served since 2011 as Director of Artistic Programs at The Lark.
by Masanari Kawahara
August 4 - August 20
Created by artist Masanari Kawahara, the project explores the 21st-century immigrant experience using puppetry, movement, and masks. Community members will be joined by Mu actors who will play cameo roles and serve as mentors for the newly trained performers.
ABOUT THE ARTISTMasanari Kawahara is a performer, educator and Butoh practitioner who incorporates puppetry, mask and movement into his work. His latest work as a performer/writer/designer was a solo performance piece Little Boy, commissioned and developed by Pangea World Theater’s Alternate Vision series, performed in fall 2014 at Pillsbury House Theatre. He was a company member of In the Heart of the Beast Puppet and Mask Theatre (HOBT) from 1998 to 2009. At HOBT, Masanari collaborated on numerous productions such as his latest production with HOBT is The Story of Crow Boy (2016). He also created, A Path Home: A Story of Thich Nhat Hanh(2009) which was chosen as outstanding puppetry by Lavender. He was the co-creator and designer of GOTAMA: Journey to the Buddha (2006), recognized by City Pages as one of the ten great sets/scenic designs of the year. Masanari Kawahara is a Playwrights’ Center McKnight Theater Artist Fellow (2010-2011).